"4 Inspired Reasons for Teaching an Online Class" ☕

Excited to share that my article, “4 Inspired Reasons for Teaching an Online Class,” was published today at Women on Writing.

To learn more about my class, starting March 5th, click here: Creating an Online Creative-Writing Class.

Read the article below.

4 Inspired Reasons for Teaching an Online Class

By: Melanie Faith

 

“When one teaches, two learn.” –Robert Heinlein

Like most of us, I’ve held many jobs and learned something about myself from all of them: choir-music librarian, research assistant, camp counselor, and journalist to name a few.  By far the most creatively-enriching job I’ve ever had is teaching creative writing online.  Let’s look at some motivating benefits for teaching an online class that might just inspire your own course in the near future. 

 

Why teach an online writing class?

Online classes are flexible.

Online classes are wonderful for just about any schedule. Some courses operate over Zoom, Skype, Google Hangouts, and other platforms at particular times of the day like in-person classes, say 7-8 pm. Other classes are scheduled asynchronously, via message boards, discussion posts, and other posted content like PDFs which students can access at a time that suits their schedules.

As an online instructor, you have a lot more freedom to choose how you’ll present your class—such as through posted videos on an asynchronous class or a group meeting/lecture at 3-4 in the afternoon or a mixture of the two—than if you were assigned a brick-and-mortar classroom in a lecture hall.

Your home office and your students’ abodes are your classrooms. You’ll have no commute. You can invest that extra time into our lessons, student communications, handouts, or even your own writing.

Online classes are great fun.

Writing is a topic that’s endlessly fascinating. Each writer brings their own style, themes, characters, projects, and/or goals to the course. There will be a great variety of skill levels and native talents brought to your classroom.

Part of the marvel of teaching an online class is the opportunity to nurture the best skills writers have to offer while challenging and inspiring fellow writers to enhance their writing.

Writing students tend to be diverse, lively, and creative thinkers. They’re often widely-read, curious about life and others, and visionary thinkers. What’s not to love about any of these attributes?

Online classes are a wonderful way to build a writing community.

One of my favorite aspects of teaching writing online is when my students email me, even after our class has ended, to let me know that they continue to write, that they have submitted work to literary magazines or agents, that they have gotten acceptance letters.

During the weeks I spend with my students, our class becomes a community and a support network, and this network often continues in some form after our course. For example, several students have become friends and found writing critique partners in my classes, and they’ve continued to encourage each others’ novels, poetry, and/or memoirs long after the final day of class.

Group dynamics vary in any class, but creative writing students tend to be generous with their time and efforts.  

Students have been some of the greatest supporters of the nonfiction craft books I’ve written for writers, and their interest in my past, current, and future projects continues to hearten and inspire me.

Online classes are a great way to evolve as a working writer. 

Teaching creative writing provides the occasion to talk about a subject that I’m passionate about with a target-audience of people who actually care about the same topic.

Who else in my daily life would care about the latest interviews with my favorite authors who dish details on their writing process? Who else would want to take for a spin a writing prompt I just wrote? Who else understands the challenges of a third draft as compared to a first one and wants to bounce ideas for a better editing process? Or to share ideas about marketing out literary brainchildren?

There’s camaraderie and inspiration when teaching writing online. We may not be sitting in the same room, but we’re experiencing the same joys and struggles with our works in progress (WIP). Any frustrations my students are having with their protagonists or antagonists or scenes I can identify with because I’ve either had the same frustrations or may even currently be experiencing the same with my own WIP.  

Interacting regularly with motivated writers supports my own growth as a writer. I can’t tell you the amount of times when, after having a great discussion with students about some aspect of the writing or editing process, I’ve suddenly known exactly the next step I should try in my draft.

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✨ "3 Suggestions on a Saturday Night" ✨

I have the pleasure of guest blogging today at Nicole Pyles’ wonderful blog, World of my Imagination.

Check out my “3 Suggestions on a Saturday Night” for some literary, movie, and audio amusements.

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"Journaling as a Discovery Tool for Current Projects" 🖊📕

Splendid news: I’m guest blogger today at CreateWriteNow!

My article, “Journaling as a Discovery Tool for Current Projects,” was published this morning.

Also check out journaling prompts, Mari’s marvelous book, Journaling Power, and other inspiring journaling resources at CreateWriteNow!

Photo courtesy of Nick Morrison at unsplash.com

Photo courtesy of Nick Morrison at unsplash.com

My Poem Featured :)

Cool news this week: I was honored that a poem from my This Passing Fever collection was chosen and read online by Lee Ann Berardi Smith as a part of an awesome poetry project. Catch it here.

Care to get your own signed copy of This Passing Fever? I’ve got you. Here.

Want to learn more about writing poetry? I’ve got that, too: here.

I’m in the midst of exciting music collaborations with the poems. More details later this year. Stay tuned!

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Want to Teach Online? I've Got You: Craft Article Published Today at WOW!

“3 Exercises for Launching an Online Writing Class for Profit and Enjoyment”

By Melanie Faith

The Timing has Never Been Better to Teach Creative Writing!

The field of teaching creative writing online has flourished in the past decade. When I started teaching online classes, most universities and colleges didn’t offer any online courses and I didn’t know a single freelance writer who did, either.

Happily, in 2020, the tide has turned and opportunities abound for educators who are passionate about their love for writing.

By the way: it’s not a requirement to have taught English for years offline in public schools or to have published a book before sharing what you know with eager learners.

If you’re organized and communicative, enthusiastic about self-expression, and motivated both in your own writing practice and to direct other writers in theirs, there is sure to be a program to fit your teaching goals (or you’ll create one!) and students keen to study with you. Read on!

Why Teach Online?

The vast majority of my teaching is now as a freelancer online instructor and professor, and I love it! Let’s look at cool pros to teaching online.

A highly-flexible schedule. As a freelance teacher, I am free to go to lunch with a friend or to grade at 2 in the morning without waking at 7 am to report to a brick-and-mortar classroom.

Most classes are asynchronous, meaning that students and teachers literally can pop by any time of day and night to leave and answer messages and download/upload content, so teachers and students can communicate at 4 am in their pjs if they want.

Many online programs, including Women on Writing, offer great instructor freedom to choose texts, a class topic, and to develop a course and hand-pick or write handouts of our own choosing. This support for unique and individualistic course content inspires instructors as well as student writers.

Community building with fellow writers. I regularly make friends with creative writers from all across the world who share many of my same writing and life goals, including keeping my writing and publishing life active and lively.

       
The pleasure of making another writer’s path more-informed and supported. Much of what I learned about writing and publishing during my first ten years as a creative writer was through my own slow process of blunders. It’s very rewarding to offer fellow writers advice, and then to see them and their writing make their own pathways to editors and readers.

Motivation for my own work. Nothing keeps me engaged in my own writing process like encouraging others in theirs. As I often tell my students and clients: “We’re all writers in this writing journey together.”


Get Started Today! 3 Helpful Exercises

As you begin to consider writing topics you might teach, here are three thematic questions to get your wheels turning about the kind of class you might offer and the unique skills you will bring to an online classroom. Consider answering each question as a free-write, setting a timer for at least fifteen or twenty minutes for each question.

1.     What genres have you written in the past five years?  What style or genre of writing has most
inspired you recently? List any books (such as craft books about writing, novels, poetry collections, essay anthologies, etc.) as well as writing websites that might be fun to share.

2.      What excites you most about the opportunity to teach online?  List as much as you’d like. Pinpointing the qualities that encourage you will integrate this zest into your online classroom preparations, creating an environment where writers flourish.  

3.     Write a paragraph to introduce yourself to your ideal student. Describe what brought you to teach this class online and something about your writing journey. Feel free to share a dream for your own writing. Then, ask your delightful ideal student two or three questions you’d like to know about them. 

This exercise is one I wrote and offered to a client who was considering teaching online, and he found it very insightful to his writing process and to picturing his targeted class audience.

Over the course of a few days, your answers will point you in exciting directions for your genre, class topic/theme, and potential texts for a future course.

Students in my Creating an Online Creative-Writing Class for Fun and Profit course  will flesh out this list with several other questions, consider what to charge, write a course description and instructor bio with personality, and complete a syllabus (and much more!) for a class that they can pitch by the end of the four-week course. 

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"Four Qualities of Authentic Writing" Craft Article Published at WOW Today :)

“Four Qualities of Authentic Writing”

By: Melanie Faith

I read 99 books for fun in 2019. If you’re an avid reader, too, you probably identify with the joys of reading when the minutes dissolve and the pages just keep turning and turning. Conversely, you probably also recall books that plodded so sloth-slowly that you kept counting the number of pages left to the end of the chapter.

As writers, we want our work to have all of the former’s pizzazz and none of the latter’s plodding.

What makes the difference between writing that flows and excites readers compared to writing that falls flat and bores? Authenticity, my friend.

Just like making friends is all about connection, so too writing that resonates creates a bond between author, writing, and reader/audience.

While defining authenticity within prose can be a little bit like getting gelatin to stick to a wall, there are still definite patterns to authentic writing.  We can apply these qualities as a litmus test to gauge the authenticity in our own drafts: 
       
Authentic writing includes imagery that makes the personal universal.

We all have many emotions and experiences. Boring writing tells us explicitly the name of the emotion, such as “He felt happy” or “I was mad.” Vibrant writing, on the other hand, suggests those emotions and experiences with specific visual images or symbols that express ideas subtly.

Many authors, for instance, use color imagery numerous times within a scene to underscore feelings or experiences, such as blue for sadness, green for security or growth, and red for passion or anger. While we are all individuals, we’re not as individualistic as we might at first think.

As Henri Nouwen and psychologist Carl R. Rogers once said, “What is most personal is most universal.” Authentic writing capitalizes on this knowledge to demonstrate our collective joys, struggles, shame, and healing.

       
Authentic writing tends to be understated, rather than overstated.

Ever read a paragraph that was over a page long? What was the result? Probably skimming over or through the paragraph and yawning. Lots of yawning. Rambling writing is the equivalent of the new friend at a party who expounds about everything at great length while listeners look longingly for the nearest exit.

Authentic writing doesn’t meander. It doesn’t cram everything but the kitchen sink into the paragraph or page, either. Instead, it has a theme and a point it wants to communicate to readers and omits details that are off-topic or redundant.
       
Authentic writing writes through, and not around, a subject. We’ve all read through paragraph after paragraph to get to the big revelation of an article or chapter or novel, only to have the author back away from the topic or to take a left-turn after barely any revelation at all. Talk about frustrating! Evasions don’t tend to endear people to each other, whether in person or on the page. Authentic writing includes elements of bravery.

Authentic writing risks something on the page. Authentic writing doesn’t hint at bigger analysis ahead and then offer the reader little or no fleshing out afterwards. Yes, there are many topics that are terribly scary to express and which take great courage to share with readers, whether through a character’s POV or our own.

On the other hand, risk earns readers’ respect; even if they don’t always love what the author writes, they find deflection and barriers worse. One reason readers read is to find connection (“I’ve thought that/done that, too!”); abruptly backing away from a topic or theme you’ve set up is a fast way to alienate readers and friends alike.  


Authentic writing has focus and a take-away without cliché or overly-easy advice or
solutions.

Authentic writing conveys a point without hammering it out by being repetitious. Readers tend to find repetitious writing boring or, worse, self-righteous and sanctimonious; authentic writing, on the other hand, subtly provides a purpose or a take-away and then moves on swiftly for the reader to think further about the topic on their own.

Trust your reader to make personal meaning based on the literary devices you’ve skillfully crafted and move on, to keep the pace popping.

Practice more authentic writing in my online class, beginning Friday, March 13th. Sign-up today!

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