Your Custom Text Here
Thrilled to announce that my poem. “Legacy,” was published today in Dulcet! My poem is on page 44. The theme is “Moonglades: A Reflective Issue.”
It’s also a great joy to be publication twins with my talented friend, Terri McCord; check out her amazing poem, “the world turns pointillist,” on page 21!
Dulcet is open for submissions. Check out their theme calls and submission guidelines at: clickety-click.
Photo courtesy of Camille Brodard at Unsplash.com.
Photos by yours truly. 🤗
Splendid news to share: two of my poems, “Yellow,” and “Listening to a Grandfather-Clock ASMR Recording after Reading a Short Poem by Lorine Niedecker” were just published in the latest issue of October Hill Magazine!
Check out the opening lines of “Yellow” below, and clickey-click on this link to read the two full poems at the issue, as well as the work of many talented fellow authors as well. Also, consider submitting your own work—they were wonderful to work with.
“Yellow”
today it feels exceptionally good
to use this yellow
marker, to draw it across
the lightly lined page,
just to run as heavy as possible a line
with the fine nib
pressed into the thinner gray line
to mark it off that I’ve already
answered early work emails, had
lunch, cleaned up after, organized
my desk, sorted through a stack of books
for donation, and it feels good, too,
to hover in the air above the page
to think about drawing a sun with wavy rays,
the petals of a sprightly daisy, a compact car
negotiating a curvy road, but then…
[continued at October Hill Magazine: clicky]
Super excited that my article about exploring theme in poetry was published today at Women on Writing. Check it out! I’m also taking sign-ups for my fun class that begins on Friday, October 18th—more details below about that and my latest poetry book as well. Read on! 😊
3 Significant Ways to Explore Theme in Poetry
By Melanie Faith
First whirly-twirly leaf of the season. Photographed by yours truly. 😁💗
Poetry is an evocative, word-rich art. It’s compressed language that so often tells a much, much wider, deeper, bigger story about the human journey. Read on for three tips that will make discovering and deepening themes within this art form a motivating voyage for you as a writer and a meaningful experience for your readers as well.
Write a poem where an object expresses so much more than the sum of its parts. Think for a moment of the top two or three objects that have made a difference in your life. Maybe you still own them, or maybe you’ve lost them in a move or sold them years ago, like a first car. Maybe it’s a Christmas or birthday gift you still have that someone you love gave to you, or maybe it’s something you bought with your first or last paycheck from a job, Or perhaps it’s a commonplace item, like a pencil or pen, that has nonetheless figured prominently in your life in recent years. Describe the particulars of this object.
Poetry thrives on attention to imagery, with attention to detail. Our lives are terribly rushed, even on the “slow” days, and poetry encourages us both to slow down and to notice our world. Poetry also makes us feel gratitude for what we have and where we are in our lives at this very moment. Describing objects can be as short as a three-line haiku or a five-line tanka or as long as a sonnet or even an epic poem of many pages. Word count or style of poem is not nearly as important as being as vivid, visceral, and specific about the object and its meaning to you as possible. Write about the object as if either someone who has seen this fill-in-the-blank commonplace object a million times and even owns one can appreciate it at a whole new level, or as if someone who has never seen your unique object can intuit its worth and see it in their mind’s eye clearly. The object you choose—whether a pair of roller skates, say, or a key to your first car—will remind readers of their own experiences with roller skates or their first car. That magic connection between poet and reader shines through in object poems.
Write a persona poem. Just like fiction, poetry can be a container for speaking in another character’s voice. Just because a poem is written in first-person POV doesn’t mean it has to be from the lens of your own life experience. Wonderful poems have been written in first-person from the point of view of fictional characters, historical leaders, artists real or imagined, you name it. You can also write a persona poem from the perspective of a non-famous, everyday person. They can be set in ancient history, modern history, present-day, or even a future we’ve not reached yet. Science-fiction or fantasy poetry? Why not?! Persona poems allow the writer to explore character creation, historical or present or future time periods, the timeless struggles and joys of being human, setting, and so much more within a compact poem.
Many of the poems in my current collection, Does It Look Like Her? are persona poems from the POV of a painter and her young son; I’m neither a painter nor do I have a son. I found, though, while exploring my protagonist’s and her son’s lives, that through these characters I could say resonant things about being an artist, caregiver, and member of a family than I likely would have explored if writing from my own limited timeline. It’s often easier to tap into universal human experience through a character than relying solely on my own lens and experiences. Readers, too, often connect quite deeply with characters—it’s ingrained in us to put ourselves into the place of characters from the first reading we experience as small children who are being read to until we can read on our own.
Write a poem to celebrate a special occasion or to commemorate a milestone, whether yours or someone else’s. Great poems have been written to honor work anniversaries, engagements, marriage anniversaries, wedding receptions, births, retirement, graduations from kindergarten, high school, college and university, grad school, and first and last days of work. The poem can be in honor of a national holiday, an international event, a religious celebration, a place-centered poem such as celebrating the opening or anniversary of the founding of a school or organization or charity. You name it. Options abound! Any person, place, group, or stage of life is well worth exploring poetically, whether you write it for your own satisfaction, share it with a friend or partner, share at an in-person or online venue, or publish with a literary journal with thousands of readers.
Enjoy the exercise below, and please join me for my October poetry-writing course where we’ll explore even more themes within this thought-provoking genre.
Try this exercise: Start with choosing the type of thematic poem from the three above that most interests you. Make a quick list of three or four topic ideas. Have a friend give you an idea or two as well, to lengthen your list of options. Then pick one of your ideas and write a poem draft in fifteen minutes. I recommend setting a timer—there’s something about writing a first draft with a time limit that tends to get words flowing. You can always set the timer for fifteen more minutes to expand the time for drafting if you want. Use this list to write more poems on other days. Go!
🍁
Photo by Autumn Mott Rodeheaver on Unsplash
Threading the Needle—Writing Thematic Poetry
Instructor: Melanie Faith
Start Date: Friday, October 18, 2024
Duration: 4 Weeks
Class Type: Asynchronous; it can be studied from anywhere in the world, in different time zones.
Location: Private Facebook group and email student provides when registering for the class.
Feedback: Weekly instructor feedback of exercises.
Description: Themes are important in vivid writing. Strong poetry often explores specific themes, from poems to celebrate special occasions and the natural world to poems that celebrate art and other beloved objects. In this class, students will read about 9 forms of poetry in our class texts (one craft book, How to Write Poetry: A Guided Journal of Prompts, and poetry books: Owls and Other Fantasies, The Optimist Shelters in Place, and Does It Look Like Her?, and one optional book: Letters to Joan), and then pick from the weekly themes to pen a poem for personalized instructor feedback on what is working well in their poem and what they might revisit/revise.
Weekly topics include: Nature Poetry, Occasional Poetry, Ekphrastic [Arts] Poetry, Found Poetry, Persona Poems, Narrative Poems, and more! There will also be an optional private class group for classmates to share shop talk and the instructor will provide posts of poetry-writing and literary links to inspire the writing process. Join us for this inspiring poetry course!
View the full listing for the curriculum and testimonials.
🍁
Check out my latest poetry book, Does It Look Like Her? Available now at Amazon or for signed copies, check out my Write Path Productions Etsy page.
I also wrote an amazing craft book called Poetry Power with tons of exercises and inspiration to keep your poetry pens moving; available through my awesome publisher, Vine Leaves Press. Signed copies also available at my Etsy, Write Path Productions.
So pleased to announce that I was recently interviewed by super talented @gilliancourtneypoetry about my poetry and writing experiences and will be featured this week, along with poetry, at @theporchswingpoetry on Instagram!
Check out the first part of our interview today and return later this week for poems by yours truly. 😊
Read more work at this amazing new poetry venue and return often for inspiring poems, interviews, and posts by many talented poets. 🍁
Super excited that my article about narrative poetry was published at Women on Writing today in the Craft Corner. 🪻🥳
I had a blast talking about this meaningful type of poetry as well as my own writing practice, and I packed it with tips for writers exploring this exciting form of verse!
Signed copies of Does It Look Like Her? available at my Etsy store: clickety-click. Also, available (unsigned) through Amazon: clickety-click.
Also, If you, your friends, or your students or writing group are interested in learning more about writing poetry, I have a lot more writing advice and fun prompts for poets in my Vine Leaves Press book, Poetry Power (scroll to the second book on the page for links to Poetry Power ) ! Check it out: Poetry Power: clickety click and at Amazon:clickety-click.
Great news: my copies for signing have arrived. If you’d like a signed copy, here’s the link to my Etsy shop:
Does It Look Like Her: Signed Poetry Book— Clickety Click!
Copies [unsigned] are also still available through Amazon: Book Clickety Click!
I also had a ridiculous amount of fun creating this self-portrait with my book. 😁
Thanks for all of your support, and here’s to books and poetry! 📔
Care for a glimpse at my poetry collection’s plot? Ta-da! 🎊📚
Alix briefly meets an accomplished artist at a coworker’s dinner party and subsequently sits for a painting that becomes well-known. But Alix is neither a one-trick pony nor an ingénue; she’s 47 and embarking on her own painting and teaching journeys while starting her life over with her young son.
This collection of narrative poetry spans years and POVs—including Alix; her son, Sam; her ex; and her colleague, Meghan—and explores what it means to pursue artistic passion, the personal meanings we overlay onto art and artists in a society not conducive to art-making, ambition at midlife, the indirect route to so-called overnight success, and more.
Includes Questions for Discussion, Reflection, or Journaling as well as Additional Reading Suggestions.
Surprise! Time for a cover reveal of my new poetry collection, Does It Look Like Her? Also known as: my first self-published book project and a grand adventure.
Next week, my book will officially have a book birthday and be available for purchase (stay tuned for more details!), but I couldn’t wait any longer to share this first glimpse at my little first-born, self-published book baby.
For a few years now, I’ve loved teaching a university course about submitting work and publishing, getting to share my own knowledge as an indie and small-press-published writer and editor, but the one aspect of publishing I didn’t know a lot about was self-publishing. I previously had no firsthand experience with self-publishing a book through KDP, which was a shame because I’ve long been meaning to learn. #goodintentions
When I started writing these narrative poems early last year, in the back of my mind, I thought, “Hmm, maybe this is the perfect time to learn a thing or two about self-publishing with one of my own manuscripts, so I can share with my students and friends.”
Fast forward a few months #lifeflies and a rollercoaster learning curve, and I finally nudged myself into gear and am so grateful I did. #stepbystep #perfecttiming
If there’s anything you’ve been dreaming of doing or thinking about starting for a few years, begin here and now. This is your gentle nudge; you’ve got this first step.
My collection may not be perfection, but I gave it my all, and I can’t wait to share these poems about a painter, her son, and the artistic process!
Super excited to have this article published at Women on Writing today!
“5 Line Breaks to Inspire Your Poetry Writing”
By: Melanie Faith
I’ve been a practicing poet since I was 17. When I think back to the many styles of poetry I joyously tried in college and grad school and beyond, I marvel at how much my line breaks have changed and continue to evolve as I grow as a writer and with the needs of each successive project.
My first poems, handwritten on pale blue lined paper that I spent my weekly allowance to purchase at the local stationery store, had looping scrolls of lines across the pages, almost from margin to margin. By graduate school, while experimenting with haiku and tanka, the sparer I could make my lines the better. (I’m not a sparse-speaking person—surprise, surprise—so it was often a challenge.) Since then, my lines usually rest in the merry middle somewhere between languid, Whitmanesque flourishes and ultra-succinct compression.
Let’s take a closer look at line breaks and what they can mean to your own writing practice.
The Innate Break: This is what I call a line break that just feels right while drafting. Why’d you break the line there? You don’t know, and you’re not stopping to think about it right now. Your hand keeps the pen rolling or your fingertips typing while you focus solely on the words unspooling. You break the lines intuitively and only notice them later, when editing or writing another draft. There’s something to be said for letting the poem take the form it wants to take. A little like after learning to ride a bike—for the first draft or two it’s often not necessary to think consciously, “Should I break the line on this word or that one?”, just like you don’t think, “Right foot, make sure to pedal now. Okay, left foot, same deal. Pedal now.” There’s synchronous motion that happens in cycling and in drafting a poem. Letting that sensory flow go can lead our work to some great destinations.
The Emphasis Break: Words that fall at the beginnings and endings of lines get extra emphasis for the eye and for the mind. End lines on thematic or precise word or phrase to emphasize key ideas. You can also take a poem that had innate breaks and, in the editing stage, make new line breaks on more precise images or diction choices.
The Stanza Starter or Ender: Just like the opening and closing words in each line get a little extra attention from the reader, so do images or words that open and close a stanza. The stanza breaks, in fact, get even more emphasis due to white space. Whether while drafting or later editing our poetry, it can be a good idea to consider if the line you are breaking a stanza on is the best place to emphasize the poem’s theme or content. If not, consider breaking the stanza-breaking line at a new place.
The Form-Based Line Break: If you write poetry that has a set pattern or formal structure—such as a sonnet, villanelle, or terza rima—your line break will be based on a number of fun constraints, such as stressed and unstressed syllables, syllable count, and rhyme scheme. I have great respect for poets who find the constraints of pattern poetry motivating, although my poetic brain runs more to making my own line-break patterns. Neither style is inherently better or worse than another—they are both apt vessels for the poems you write. If you know that writing formal poems is your jam, I encourage you to try a few kinds of poems to experiment with the different end-line conventions each requires. If you usually write acrostics, try haiku. If you often write odes or limericks, try an Italian sonnet. If your last few poems were villanelles, try writing a sestina or a ballade. There’s great variety in line breaks among formal verse that a poet could spend many years happily exploring.
The Variety Approach: Are you working on a chapbook or a poetry collection? Are you preparing a handful of poems (often three to five) to submit to a literary journal? In this case, it might be good to read the poems in relation to each other. Is there some variety in where and how you break your lines? Is each line separated at an optimal place and/or have you left some blank space somewhere on the page? Also, sometimes placing poems with long lines next to poems with few lines and/or succinct lines can create a meaningful pattern for the reader and also inform any editing or new line breaks. You might also consider shuffling the order of your poems.
Use these line-break ideas as you draft, edit, or prepare submissions of your poetry. There’s no 100% right or wrong place to end a line and begin a new one, but with time, practice, and focus, and having these ideas in your pocket, you may well be surprised how quickly you up your poetry game.
Want to learn more? Check out my online poetry class that starts April 21st! Jump-Start Your Poetry Practice.✍️
In the market for an online poetry class sure to get your pen moving? I’ve got you.
Sign-ups open for my Jump-Start Your Poetry Practice class that begins Friday, April 21st. I’d love to work with you and a friend. 😊👍
More info at: Jump-Start Your Poetry Practice class.
