My Craft Article Published Today: "Build Better Beginnings: from Throat-Clearing to Motor-Running Fiction!" 🎃

Splendid news! I’m excited that my craft article, “Build Better Beginnings: from Throat-Clearing to Motor-Running Fiction,” was published today as part of the WOW! Women on Writing Market Newsletter.

Also, check out the amazing interview with Paula Munier (by Donna Judith Essner), the literary markets actively seeking submissions of writing, and so many more literary resources to spark your writing.

I also had the chance to contribute two seasonal photos to the article, including this one.

Here’s a fun excerpt. “First drafts of narratives frequently gain momentum a few pages or a chapter in, but readers must be entertained from the start or else they don’t continue reading. Let’s take a few looks at some splendid, sure-fire ideas for building beginnings that reel in readers.

  • Don’t hold off. Want, want, want, immediately! Unmet desires and needs give the protagonist something to act on and to react against from the get-go. Instead of leading up slowly to the protagonist’s struggle, show the character already struggling in the first scene. Even better if they struggle from the first page.

  • Limit your number of characters in the first pages. A deeper dive into one character—rather than a slower, cocktail-party-style, round-robin introduction—gives your readers a chance to shadow your protagonist and to feel firmly situated into their life and limitations before meeting the entire cast of characters. It’s great to introduce the antagonist early, though, as pushback motivates the protagonist’s need to act.“

Read the rest at: the WOW! Market Newsletter. 🎃

Check out More at The Porch Swing!🍂

Happy weekend, everyone!

Two quick updates: one, I’m delighted that more of my very fun conversation with talented poet and artist @gilliancourtneypoetry about my poetry and writing experiences was featured this week at @theporchswingpoetry on Instagram. Stop by to peruse and like the posts.

Subscribe to read more amazing content by talented authors (and some fresh poems from yours truly) in the near future! 🍂

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Check out my latest poetry book, Does It Look Like Her? Available now at Amazon or for signed copies, check out my Write Path Productions Etsy page.

I also wrote an amazing craft book called Poetry Power with tons of exercises and inspiration to keep your poetry pens moving; available through my awesome publisher, Vine Leaves Press.

#writeeveryday #ThePorchSwing #WomenPoets #PoetryCommunity #WomensVoices #CreativeExpression #SupportWomenWriters #PoetryJournal #Inspiration #WomenInArt #PoetryLove #WriteHer #FemaleVoices #CateAlicePoetry #IndiePoetry #poetryislife #poetryislove❤️❤️❤️ #poetryislove

"3 Significant Ways to Explore Theme in Poetry" 🍂

Super excited that my article about exploring theme in poetry was published today at Women on Writing. Check it out! I’m also taking sign-ups for my fun class that begins on Friday, October 18th—more details below about that and my latest poetry book as well. Read on! 😊

3 Significant Ways to Explore Theme in Poetry

By Melanie Faith

First whirly-twirly leaf of the season. Photographed by yours truly. 😁💗

Poetry is an evocative, word-rich art. It’s compressed language that so often tells a much, much wider, deeper, bigger story about the human journey. Read on for three tips that will make discovering and deepening themes within this art form a motivating voyage for you as a writer and a meaningful experience for your readers as well.  

Write a poem where an object expresses so much more than the sum of its parts. Think for a moment of the top two or three objects that have made a difference in your life. Maybe you still own them, or maybe you’ve lost them in a move or sold them years ago, like a first car. Maybe it’s a Christmas or birthday gift you still have that someone you love gave to you, or maybe it’s something you bought with your first or last paycheck from a job, Or perhaps it’s a commonplace item, like a pencil or pen, that has nonetheless figured prominently in your life in recent years. Describe the particulars of this object.

Poetry thrives on attention to imagery, with attention to detail. Our lives are terribly rushed, even on the “slow” days, and poetry encourages us both to slow down and to notice our world. Poetry also makes us feel gratitude for what we have and where we are in our lives at this very moment. Describing objects can be as short as a three-line haiku or a five-line tanka or as long as a sonnet or even an epic poem of many pages. Word count or style of poem is not nearly as important as being as vivid, visceral, and specific about the object and its meaning to you as possible. Write about the object as if either someone who has seen this fill-in-the-blank commonplace object a million times and even owns one can appreciate it at a whole new level, or as if someone who has never seen your unique object can intuit its worth and see it in their mind’s eye clearly. The object you choose—whether a pair of roller skates, say, or a key to your first car—will remind readers of their own experiences with roller skates or their first car. That magic connection between poet and reader shines through in object poems. 

Write a persona poem. Just like fiction, poetry can be a container for speaking in another character’s voice. Just because a poem is written in first-person POV doesn’t mean it has to be from the lens of your own life experience. Wonderful poems have been written in first-person from the point of view of fictional characters, historical leaders, artists real or imagined, you name it. You can also write a persona poem from the perspective of a non-famous, everyday person. They can be set in ancient history, modern history, present-day, or even a future we’ve not reached yet. Science-fiction or fantasy poetry? Why not?! Persona poems allow the writer to explore character creation, historical or present or future time periods, the timeless struggles and joys of being human, setting, and so much more within a compact poem. 

Many of the poems in my current collection, Does It Look Like Her? are persona poems from the POV of a painter and her young son; I’m neither a painter nor do I have a son. I found, though, while exploring my protagonist’s and her son’s lives, that through these characters I could say resonant things about being an artist, caregiver, and member of a family than I likely would have explored if writing from my own limited timeline. It’s often easier to tap into universal human experience through a character than relying solely on my own lens and experiences. Readers, too, often connect quite deeply with characters—it’s ingrained in us to put ourselves into the place of characters from the first reading we experience as small children who are being read to until we can read on our own.

Write a poem to celebrate a special occasion or to commemorate a milestone, whether yours or someone else’s. Great poems have been written to honor work anniversaries, engagements, marriage anniversaries, wedding receptions, births, retirement, graduations from kindergarten, high school, college and university, grad school, and first and last days of work. The poem can be in honor of a national holiday, an international event, a religious celebration, a place-centered poem such as celebrating the opening or anniversary of the founding of a school or organization or charity. You name it. Options abound! Any person, place, group, or stage of life is well worth exploring poetically, whether you write it for your own satisfaction, share it with a friend or partner, share at an in-person or online venue, or publish with a literary journal with thousands of readers. 

Enjoy the exercise below, and please join me for my October poetry-writing course where we’ll explore even more themes within this thought-provoking genre.

Try this exercise: Start with choosing the type of thematic poem from the three above that most interests you. Make a quick list of three or four topic ideas. Have a friend give you an idea or two as well, to lengthen your list of options. Then pick one of your ideas and write a poem draft in fifteen minutes. I recommend setting a timer—there’s something about writing a first draft with a time limit that tends to get words flowing. You can always set the timer for fifteen more minutes to expand the time for drafting if you want. Use this list to write more poems on other days. Go! 

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Threading the Needle—Writing Thematic Poetry

Instructor: Melanie Faith

Start Date: Friday, October 18, 2024

Duration: 4 Weeks

Class Type: Asynchronous; it can be studied from anywhere in the world, in different time zones.

Location: Private Facebook group and email student provides when registering for the class.

Feedback: Weekly instructor feedback of exercises.


Description: Themes are important in vivid writing. Strong poetry often explores specific themes, from poems to celebrate special occasions and the natural world to poems that celebrate art and other beloved objects. In this class, students will read about 9 forms of poetry in our class texts (one craft book, How to Write Poetry: A Guided Journal of Prompts, and poetry books: Owls and Other Fantasies, The Optimist Shelters in Place, and Does It Look Like Her?, and one optional book: Letters to Joan), and then pick from the weekly themes to pen a poem for personalized instructor feedback on what is working well in their poem and what they might revisit/revise.

Weekly topics include: Nature Poetry, Occasional Poetry, Ekphrastic [Arts] Poetry, Found Poetry, Persona Poems, Narrative Poems, and more! There will also be an optional private class group for classmates to share shop talk and the instructor will provide posts of poetry-writing and literary links to inspire the writing process. Join us for this inspiring poetry course!

View the full listing for the curriculum and testimonials.

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Check out my latest poetry book, Does It Look Like Her? Available now at Amazon or for signed copies, check out my Write Path Productions Etsy page.

I also wrote an amazing craft book called Poetry Power with tons of exercises and inspiration to keep your poetry pens moving; available through my awesome publisher, Vine Leaves Press. Signed copies also available at my Etsy, Write Path Productions.

"Four Tips for Mixing Music into Your Fiction" 🎶🎹

Super excited that my craft article was published in Women on Writing’s newsletter today. Read on to learn some tips for integrating music into your prose as well as a prompt to give a whirl. 😊🎼

“Four Tips for Mixing Music into Your Fiction”

By: Melanie Faith

 

Music plays in so many milestone moments in our lives: from proms and graduations to weddings, anniversaries or divorces, first dates or last dates, funerals, reunions, and many other ceremonies. Music (or variations of it) may even be playing in an elevator near you on the way to the job interview you’re hoping to ace or to a doctor’s appointment you don’t want.

 

We don’t need to wait until milestone moments to savor sound, however, as songs suffuse everyday life as well. I listen to music numerous times a day, from a streaming speaker, from my laptop, on the radio in the car or in the kitchen, on TV or episodes of shows online, even on records, tapes, or CDs in my players now and again.  The importance of music doesn’t end with youth, but keeps giving back throughout our lives.

 

Music is often an important facet in fiction, too. Let’s delve into some wonderful ways that we writers can weave music into our plots, characters, and more!

 

Layer references to the same or similar song(s) or artist(s) within the same work. The context can be different for each listener/character. Your protagonist might listen to Nirvana’s “Smells Like Teen Spirit” as a high-school student in 1991 when it was released and have one experience while your protagonist’s twenty-something daughter might listen to the same song in 2024 and have entirely different reflections as she remembers that her dad always played the song while making breakfast during her preschool years.  Music is reminiscent of the era it was made, but it’s also timeless. Music can connect one generation to another, or divide one generation or listener from another.

 

Braid musical and nonmusical events within the same story to shed light on both elements of the story. If your protagonist is a second-chair violinist in the community orchestra, you might include not only the conflicts involved with her determination to move up to first chair this year, but also another element of her private life (from her day job and coworkers to her relationship with her love or her friends or her frenemies) to develop her character both on the stage as she practices and performs as well as offstage in her personal life.  Another idea: even characters who aren’t musicians or singers frequently jam when at a party or alone in a room or a car when a favorite song comes on. What song will get your protagonist’s toes tapping (or busting out the lyrics into a pencil or hairbrush or karaoke microphone, as the case may be)?  

 

Consider a melodic medley. Shake it up with intention. Many listeners enjoy several genres of music. Musical allusions can denote mood and tone as well as conflict within the plot or within your protagonist or antagonist. References to particular album titles or songs may even be used to foreshadow events later in the tale or become titles for chapters. 

 

Use poetic and precise language. Just as songs have rhythm and lyricism, you can pay particular attention to diction choices to develop music descriptions.  Onomatopoeia/sound effects might mimic the high-pitched tweet-tweet of a piccolo or flute, the mournful twang of a mandolin or guitar string, or the zingy ping of a hi-hat cymbal.  Consider using words with softer sounds, such as sibilant /s/ and quiet /m/ and /n/, for descriptions of acoustic performances and words with stronger, louder sounds, like the staccato and punchy /t/, /d/, /b/, /k/, and /z/ for summer rock concerts or heavy metal.

 

Whether your protagonist is a musician, a fan of a particular singer or band, or not, you can use these tips to integrate music—whether center stage, backstage, or as background—into scenes and character development to deepen your writing. You can even weave more than one of the tips within the same scene or chapter. Rock on!

 

Try this exercise:

Take a scene you’ve written recently with your protagonist during a time of strong emotion, such as doubt or great joy. Jot a list of three or four songs that mirror the emotional intensity the character is experiencing. Pick one to drop into the scene in a sentence or two to make it the soundtrack of the scene. What resonance does this reference add to the character, setting, or plot? Add extra dialogue or narration around this reference if the muse so moves you.   

 

 Want to learn more? I’d love to have you in my February class. Clickety-click to learn more and sign up! 🎸

 

My Craft Article Published Today 🏊

Super excited to have this article published at Women on Writing today!

“5 Line Breaks to Inspire Your Poetry Writing”

By: Melanie Faith

 

I’ve been a practicing poet since I was 17. When I think back to the many styles of poetry I joyously tried in college and grad school and beyond, I marvel at how much my line breaks have changed and continue to evolve as I grow as a writer and with the needs of each successive project.

 

My first poems, handwritten on pale blue lined paper that I spent my weekly allowance to purchase at the local stationery store, had looping scrolls of lines across the pages, almost from margin to margin. By graduate school, while experimenting with haiku and tanka, the sparer I could make my lines the better. (I’m not a sparse-speaking person—surprise, surprise—so it was often a challenge.) Since then, my lines usually rest in the merry middle somewhere between languid, Whitmanesque flourishes and ultra-succinct compression.

 

Let’s take a closer look at line breaks and what they can mean to your own writing practice.

 

The Innate Break: This is what I call a line break that just feels right while drafting. Why’d you break the line there? You don’t know, and you’re not stopping to think about it right now. Your hand keeps the pen rolling or your fingertips typing while you focus solely on the words unspooling. You break the lines intuitively and only notice them later, when editing or writing another draft. There’s something to be said for letting the poem take the form it wants to take. A little like after learning to ride a bike—for the first draft or two it’s often not necessary to think consciously, “Should I break the line on this word or that one?”, just like you don’t think, “Right foot, make sure to pedal now. Okay, left foot, same deal. Pedal now.” There’s synchronous motion that happens in cycling and in drafting a poem. Letting that sensory flow go can lead our work to some great destinations.

 

The Emphasis Break:  Words that fall at the beginnings and endings of lines get extra emphasis for the eye and for the mind. End lines on thematic or precise word or phrase to emphasize key ideas. You can also take a poem that had innate breaks and, in the editing stage, make new line breaks on more precise images or diction choices.

 

 The Stanza Starter or Ender: Just like the opening and closing words in each line get a little extra attention from the reader, so do images or words that open and close a stanza. The stanza breaks, in fact, get even more emphasis due to white space. Whether while drafting or later editing our poetry, it can be a good idea to consider if the line you are breaking a stanza on is the best place to emphasize the poem’s theme or content. If not, consider breaking the stanza-breaking line at a new place.

 

The Form-Based Line Break: If you write poetry that has a set pattern or formal structure—such as a sonnet, villanelle, or terza rima—your line break will be based on a number of fun constraints, such as stressed and unstressed syllables, syllable count, and rhyme scheme. I have great respect for poets who find the constraints of pattern poetry motivating, although my poetic brain runs more to making my own line-break patterns. Neither style is inherently better or worse than another—they are both apt vessels for the poems you write. If you know that writing formal poems is your jam, I encourage you to try a few kinds of poems to experiment with the different end-line conventions each requires. If you usually write acrostics, try haiku. If you often write odes or limericks, try an Italian sonnet. If your last few poems were villanelles, try writing a sestina or a ballade.  There’s great variety in line breaks among formal verse that a poet could spend many years happily exploring.

 

The Variety Approach: Are you working on a chapbook or a poetry collection? Are you preparing a handful of poems (often three to five) to submit to a literary journal? In this case, it might be good to read the poems in relation to each other. Is there some variety in where and how you break your lines? Is each line separated at an optimal place and/or have you left some blank space somewhere on the page?  Also, sometimes placing poems with long lines next to poems with few lines and/or succinct lines can create a meaningful pattern for the reader and also inform any editing or new line breaks. You might also consider shuffling the order of your poems.

 

 

Use these line-break ideas as you draft, edit, or prepare submissions of your poetry. There’s no 100% right or wrong place to end a line and begin a new one, but with time, practice, and focus, and having these ideas in your pocket, you may well be surprised how quickly you up your poetry game. 

 

 Want to learn more? Check out my online poetry class that starts April 21st! Jump-Start Your Poetry Practice.✍️

Blog Tour: Review at Lesliesvoice.com & Many Thanks! 🎉

Such a pleasure to have a review of my book at Lesliesvoice.com!

An excerpt from Leslie’s thoughtful review: “Through anecdotes, metaphor, and humor, this author keeps the reader engaged and laughing throughout the book. Yet the serious part of publishing comes through loud and clear, and a brief exercise is given at the end of each chapter to drive home the content. 

This book, From Promising to Published, came to me at the perfect time, just before I typed “The End” on my manuscript. I’ve made notes and scribbles throughout the book, a good sign that I’ll be coming back to it again and again. I’m in the middle of preparing all those things Melanie talks about: Author Bio, Cover Letters (including elements and examples), building a web and social media presence, and managing, and even planning for, rejection (something every writer needs). One of my goals for 2023 is to take more risks with my writing life. The author uses swimming as a metaphor for risk. I’m not a swimmer and, in fact, I’m terrified of deep water. But in writing, I’ve gone beyond the ‘toe-tip in the pool’ to mastering the ‘swan dive.’ Next up, the ‘butterfly stroke.’ I many never learn the ‘freestyle.’ To learn what each of those strokes represents in writing, take a deeper dive into this book, and enjoy the ripple effect of taking some risk. 

From Promising to Published contains helpful information about identifying a target audience and submitting to literary journals. But beyond that are tips and tricks I haven’t found in other books on publishing; for example, courtesies and networking among authors, protecting my personal space, avoiding burnout through self-care, and my favorite…celebration! A few months ago, I bought a beautiful peace sign paper weight for myself and had it wrapped up as a gift at the store. After typing “The End” following the last chapter (about freedom and peace), I celebrated by opening my gift. It sits on my bookcase as a daily reminder that I was able to achieve a significant milestone in my writing life!”

Read the rest of the review at: clickety-click!

Check out more of Leslie’s wonderful writing and publications here (“Friday Speak Out!: The List-Maker,” here (“My Favorite Chair”), and here (“What I Would Teach My Children”). Also enjoy this great interview with Leslie from Women on Writing when Leslie’s work placed Runner Up in WOW!’s 2020 Creative Nonfiction Contest: clickety-click.

Many thanks to Leslie Cox for this beautiful review and for making the final stop of my blog tour so meaningful! 🎉

My sincere appreciation and thanks to all of the bloggers who hosted my book during the tour and wrote reviews; to Women on Writing for ongoing support, enthusiasm, and kindness; to Nicole Pyles for applying her amazing blog-tour creation skills to my tour and making this such a fun experience that I couldn’t have done on my own; and to each of YOU, dear readers, who have come along on the fun journey of this blog tour and offered marvelous feedback and messages and/or have purchased From Promising to Published.

May your muse continue to shine, and here’s to filling 2023 with wondrous words and publications aplenty! 🎉

Blog Tour: Reviews at Liberate & Lather and Word Magic 🌟

Super excited to have reviews of From Promising to Published at Liberate & Lather and at Word Magic!

From the Liberate & Lather review: “I ended my read feeling built up, and options I never thought of were gifted to me.  My power to forge along as a writer has been renewed.  If you are on the fence about publishing or not publishing, wrestling with imposter syndrome, or needing fresh ideas to get your work in front of many eyeballs, then you want this in your hands.”

Many thanks to Angie Clay. Check out Angie’s awesome Ignite & Write Subscription Boxes, inspiring podcast, and self-care products.

From the Word Magic review: “Melanie’s goal is to demystify the mystifying process of publishing and she succeeds in this by giving a step by step, logical sequence of milestones and how to accomplish each goal. The chapters are coherently arranged for easy navigation. The author also advises that not every tip will apply to every reader, and they should feel free to pick up on the ones that most suit their situation. One piece of advice I liked was this: say you are a writer/author right from the start, not an imposter, and cling to that knowledge.”

Many thanks to Fiona Ingram at Word Magic. Check out Fiona’s amazing books and her wonderful series website: clickety-click!

Blog Tour: Craft Article, "6 Tips To Tame the Taking-on-Too-Much Spiral"🌟

I’m honored to have my craft article featured today at Editor-911 as the next stop in my book tour for From Promising to Published.

An excerpt:

How can we step back a little to create a gentler schedule?

Tip 1: Refrain from the immediate yes, however tempting. Pause for an hour (or even a day) when a great opportunity lands to think it through, step by step. 

Break down the opportunity’s required components and guesstimate possible time investments. Factor in your current energy level and health (yours and family members) before taking on a promising project. 

Visuals help: physically open your calendar and pinpoint exact hours in your schedule when you will do the work involved.  If you don’t have a lot of successive empty spots in your weeks ahead, you already know the answer. 

Last week, I had a fantastic short-term gig land in my inbox. My first instinct was to leap on it. Yes, yes, yes! Sign me up! 

Then, it occurred to me: a project like the one offered requires 2.5 to 3 hours minimum per day, 5 or 6 days a week…”

Read the rest at: clickety-click!

Many thanks to talented writer, book publisher, and educator Margo L. Dill!

Check out Margo’s awesome online writing classes, including Manuscript Draft Editing Package with Consultation (For Novels, Short Story Collections, and Memoirs), Children’s Novel Draft Editing Package (For Novels for Children Ages 9-12), and Writing a Novel with a Writing Coach: One-on-One Instruction, and Margo’s books and editing packages, sure to inspire and support your writing projects! Sign up for her free newsletter: clickety.

Blog Tour: Craft Article about Beta Readers 🌟

Thrilled to have my craft article, “Bountiful Betas: Benefits of a Beta Reader and Tips for Finding One,” featured today as a guest post as part of my book tour for From Promising to Published at Elle Backenstoe’s blog.

An excerpt: “Beta readers can save authors a lot of time and frustration trying to figure out elements of our own work that can be hard to pinpoint—such as why a certain character feels flat or why a scene that started so well deflated within a few short paragraphs.” 

Read the rest at: Elle Backenstoe’s blog. Learn more about Elle and her forthcoming book here and here. Thanks so much, Elle!