My Article Published: "5 Fabulous Perks of Freelance Editing" 🥳

So excited that my article about the perks of freelance editing was published at The Muffin. 🥳

My webinar on this topic this Friday, April 12th is also sure to share even more perks to freelancing. To learn more: clickety-click! ✍️

My article:

Do you love to read? Have you participated in a writing workshop or beta read for a friend? Or taken a creative writing class to learn the building blocks of prose and poetry? Have you offered suggestions for a friend’s essay or creative piece? Are you a creative writer? Are you a fan of precise or beautiful language? Do you love talking about the writing and revision processes? Do you enjoy discovering an individual author’s voice and offering encouragement?

 

If the answer to any of these questions is yes, freelance editing may very well be a wonderful fit for your natural skills, bring enjoyment, and offer some spending money or a helpful additional income to your household while doing something you already love—communicating and developing fun-to-read, page-turning literature for fellow readers.

 

Let’s look at just a few of the many perks of becoming a freelance editor. 

 

1. One of the best parts of freelancing is working directly with a motivated writer who is open to suggestions for making their manuscript clearer and more gripping to readers. We all know how hard it can be to spot errors or inconsistencies in one’s own writing, and as a freelance editor you get the privilege of offering feedback that the author may be too close to the manuscript to notice while self-editing. You work as a team to sculpt the work to optimal length, genre specifications, literary devices, pacing, character and/or plot development, and so much more.

 

2. You also will likely expand your network and build a bond or a friendship with authors whose manuscript you have the chance to review. It’s a sacred, meaningful honor to be entrusted with a writer’s work, and while bringing out the best in the writing, editors and writers work towards the same goals. Once you have offered supportive, clear feedback to an author on one project, they often return when they have other manuscripts they’d like constructive, helpful suggestions on in the future.

 

3. Freelance editors have freedom of time and freedom of project-choice. Freelancers set up a schedule and a deadline that mutually work for both writer and editor. Freelance editors also enjoy the freedom to pick the kinds of projects and the genres of writing that most excite us. Do you love reading thrillers and fantasy but dislike mysteries and dystopian work? As a freelancer, you can pick and choose the projects that you feel most excited to offer feedback on and that most inspire you.

 

4. Most freelance editors begin their small businesses as part-timers, so whether you are working another job, serving as a caregiver, raising a family, running another small business, or juggling multiple life stages and vocations, freelancing offers the flexibility to work from home or a café or shared office space at times that work best for you, your schedule, and your life circumstances. I’ve worked with freelance editors and students of all ages—from their twenties through their retirees—who start editing, and these editors have found that freelance editing fits into their lives around other life events and responsibilities with a little organization and planning.

 

5. You can work with clients from your local neighborhood or from all around the world at a time that is best for you and your clients’ needs.

 

Clearly, freelance editing offers countless perks and the satisfaction of adding quality, entertaining, meaningful books to the literary landscape. If you have any interest at all in this exciting, flexible field, it’s well-worth looking into and giving it a whirl. 

Image courtesy of WOW! Women on Writing

"Four Reasons Food Can Spice Any Genres You Write" 🍝

Wonderful news! 🥳My article was published by Women on Writing today! Check it out, and then give the writing prompt a whirl. 📝


Four Reasons Food Can Spice Any Genres You Write

By: Melanie Faith

 

Photo by Mae Mu on Unsplash.

It’s just about autumn in the US, which is an important weather shift in the seasonal states. Humidity dissolves as leaves turn into a crayon-box bonanza of shades while it remains sunny, bright, and crisp enough for a walk in a cozy, knit sweater and a mug of steamy tea after.  Another signal of the time shift is the shortening of days and the lengthening of my appetite.

 

While I enjoy eating all year ‘round, there’s something special about the chill in the air and the darkening of the evenings that increases my appreciation for sweet and savory flavors. Bring on the ooey-gooey cakes and breads, the creamy mac and cheese, the hearty, saucy spaghetti Bolognese!

 

No matter the season, the rituals of eating; snacking; food buying, storage, and preparation; meal clean-up; and food sharing surround our days and can be integrated into our writing to enrich our work.  Let’s look at four reasons why adding food writing to our repertoire can deepen our writing:

 

Food connects us: Nothing reminds us more of our communities and the cultures we belong to than food.  References to the recipes, meals, and snacks your protagonist grew up eating and still makes can provide shorthand for so many parts of your character’s background and life, including but not limited to her family of origin’s geography, socioeconomic status, and more. Certain foods will instantly be connected in readers’ minds with a particular state, region, cultural heritage, or country, while other foods and beverages are universal to many communities—which will give your readers other insights into how your unique character fits into a larger trend or social sphere or, conversely, how they might rebel against it.  Including meals or restaurant scenes can also demonstrate how your character interacts with others, what she feels comfortable saying or not saying, what she wants to share in public compared to her private thoughts, and so much more.

 

Speaking of which, food can create both bonds and tensions:  If one of your characters loves attending a weekly potluck she organizes and hosts once a month while another character lives for a quiet dinner for one at home to get away from the stresses of his day job and rejuvenates with the radio on while preparing couscous and a salad, you’ve already set up a way to show (rather than tell) extroversion and introversion. You’ve also set up a scenario where their differing styles could create conflict if these characters become friends, coworkers, family, or romantic partners. Characters can react strongly, or they might have inner hopes or misgivings about what is being served, about their dining companions, or about where the dining takes place. 

 

Food is also often connected with larger social issues that deeply impact many people both locally and globally—such as food instability, hunger, and ever-rising grocery prices—that you can shine a light on within your writing in nonfiction, poetry, flash, novels, and many other genres.

Photo by Atie Nabat on Unsplash

 

Favorites and aversions make us each unique. Including small details about what your character loves and loathes eating can strengthen your characterizations. Just like all of us, characters can have detested foods show up in their lives and have to navigate their distaste quietly or verbally, or they can absolutely love quirky regional favorites that their friends and family can’t stand or refuse to try. Conversely, we all love to share our favorites, and sometimes these favorite foods are eagerly adopted by those we love, spreading the joy. Writing that praises, describes, humorously disses, or delights in foods can connect with your audience’s own experiences of likes and dislikes.

 

Try this exercise!  If you write fiction: your antagonist has just invited your protagonist to dinner. Where will they go? What will they talk about? What is being served for dinner? If you write nonfiction, poetry, or other genres: jot a list of five of your favorite or least favorite foods. Pick one of the foods, set a timer for twenty minutes, and describe a time when you were served or served others this particular food. Use as many sensory details as possible to denote the food and reactions to it. Go!

 

 Care to learn more? I have a few spots left in my Food Writing class that begins Friday, October 6, and I’d love to have you and a friend join in the fun. Details at: Food Writing for Fun and Profit.

 

"Abounding Images: An invitation to Imagery Power: Photography for Writers" 🎉📸

So pleased that my article was published today as a Women on Writing Spotlight article. Check out the prompt I share as well:

“Abounding Images: An Invitation to Imagery Power: Photography for Writers”

By Melanie Faith

 

                I found three rolls of brand-new film in a drawer earlier this week that I’d forgotten I’d purchased. It felt a little bit like unwrapping a Christmas gift to myself. Eager to head into the great weather, I took my ‘90s Canon Rebel outside for a few nature shots. The heft of the camera body nestled in my hands just right. Working with a physical, clicky dial to blur the background and focus on the foreground was like stepping back into a favorite pair of blue jeans—comforting and the perfect fit. Need I say that I took the rest of the roll and returned to my desk, smiling?

                I’ve also been taking a lot of photos with my cellphone camera and find it a wonderful photographic experience, too. It is featherweight, and I can take as many pictures as I please. Cellphone cameras have come a very long way in the past ten years. Smart phones are equipped today with much better software and make sharper photographs than any of my first digital cameras. And they’re quite easy to use, and super handy. Rare is the person without a phone as a near-constant companion, which (of course) makes them absolutely the best for capturing inconspicuously as we go about our daily lives. And sharing cellphone photos is so easy it’s a dream.

                Whether you prefer making photos with an old-school film camera that takes film or film cartridges, taking pictures with your cellphone, or a combination of both, there’s something meaningful and meditative about the art of photography. Much like the craft of writing, we begin to see our surroundings, our daily lives, and even ourselves a bit differently, a bit better in some ways, by taking the time to focus on elements we might previously zip past on our way to the rest of our appointments and to-do lists. The fact that no two people see the same images in the same way nor interpret them in the same way enhances our development as artists.

                Making a photograph, like making a poem or a short story or a song or a chapter in a novel or an essay, is deeply personal. We have so many options that it’s exhilarating. We get to choose the subject. We get to choose the angle we take the image from. We get to choose the crop or zoom of the photo. We get to choose if we print the photo to make it a physical object in the world or if we keep it a digital file. We get to choose if we make the photo part of a series on a subject or if the photo is a one-off and stands alone. We get to choose light source and time of day and if we scan or upload the photo to software to alter its hues (hello, black and white!) or shoot in black and white mode or with b & w film.  

                It is in making these choices, often intuitively and in quick succession and very frequently learning and experimenting as we go, that we grow in other art forms as well.

Thinking about making a better photograph certainly continues to influence and encourage my poetry as well as my prose. Photography, much like writing and other art forms, focuses on the importance of the image, the resonance of created expression, and the great fun and challenge when we take the world as we experience it and offer a new creation that very likely will connect with other people who themselves make writing and other art.

                There’s no prerequisite needed, and I’ve had students who made visceral, beautiful, jaw-dropping photos from disposable cameras, phone cameras, underwater cameras, instant cameras, pinhole cameras, film cameras of many makes, and even from photosensitive photographic paper.

The field of photography is wide open to individual interpretation and vision. Begin where you are, with that little “Hmmm, that’s interesting” when you’re out on a morning walk, and see where it takes you. One snap, one click, one moment documented at a time.

 

Try this prompt: Make a photo today of an object someone else uses every day. Aim to show a special quality about this object—whether its shape, its size, its hue, its placement in the home or outside, or some other quality. After taking the photo, either write a few sentences describing this object, why you chose it, and who uses it OR create a character who uses this object and write about that character for fifteen or twenty minutes. What would happen if the character reached for the object and it was missing? Go!

  ***

 

Blog Tour: Article: "GPS: Tips for Finding a Good-Fit Freelance Editor"🌟

Ever wondered how to find an editor to assist on your writing project? Thrilled to have a craft article I wrote featured at Beverley A. Baird’s awesome blog today. Stop by to get advice on finding a best-fit editor for your manuscript.

An excerpt: “It can be invaluable to get an impartial view on our writing with the in-depth, personalized feedback a freelance editor provides. Editors catch inconsistencies, scope for grammar and structural problems, note unintended repetition and filler words, red-flag plot holes, mark underdeveloped dialogue or characterization, and much more. 

Where do you find a freelance editor anyway?

·         Ask a librarian. Many libraries host readings or writing groups as part of their community outreach. Plus, librarians dig a good information search and have a wide network…

·         Check your favorite indie author’s website. A sizable portion of authors take on editing projects.

· Check the Acknowledgments section of your favorite recently published books.”

Read the whole article with oodles more tips at: clickety-click!

"The 5 Things You Need To Be A Successful Author or Writer" Published

A great joy that my piece, "The 5 Things You Need To Be A Successful Author or Writer," was published this week at Authority Magazine, along with an interview about mistakes I’ve made in my writing journey, a long-time-arriving acceptance letter, and more.

"Pocketed: Adventures with 110 Film and a 1980s Pocket Camera" Published 📸

Splendid news: I’m honored to be published today in Film Shooters Collective, a very inspiring resource and encouragement for photographers who practice the art of film photography.

I had the pleasure to take a pocket camera (sometimes called a “spy camera”) for a whirl recently, and after shooting two rolls of 110 film, I wrote about it. 🥳Curious? Remember these unobtrusive dynamos? Thinking about taking your own pocket camera for a spin or getting one? Clickety to read and learn more. The article is packed with tons of insights, photo examples, and tips to get you started.

Many thanks to the super talented Amy Jasek for her interest in my 110 camera shoot and her enthusiastic camera and cyanotype camaraderie. Please check out Amy’s amazing photography and wonderful cyanotypes.

To the marvels of film photography!

My Craft Article Published Today 🎉

Super excited that my article, “Hop on Your Horse and Gallop Back in Time: 4 Strengths of Historical and Time-Travel Stories,” was published today at Women on Writing.

Image courtesy of unsplash.com and Kayla Koss

Care to learn more and explore this fun subject as you create your own stories? Ta-da! My latest online class, Leaping Worlds, begins on Friday, September 30th and is is open for sign-ups now.

Read on for my article:
”Hop on Your Horse and Gallop Back In Time: 4 Strengths of Historical and Time-Travel Stories”

By: Melanie Faith

Creating characters whose lives take place in another time can be one of the most enlivening and meaningful writing experiences an author can have. Let’s take a look at four assets writing these stories can bring into the lives of writers and readers alike.

Historical fiction offers maximum flexibility in developing the protagonist. There is no one cookie-cutter image for who the protagonist of your story might be. There are historical fiction main characters of all ages, backgrounds, and nationalities. Protagonists can live in literally any place and time (or multiple places and times, should you choose a time-travel tale) that you can imagine and recreate. You even have the flexibility to braid the stories of multiple protagonists within this genre.

Historical fiction protagonists in all types of narratives must have a purpose for being in the story, and that purpose is to inspire change through their actions; to be changed by events, people, or the place(s) where they live; or (ideally) both. All you need to get started is a setting, a time, and a protagonist with a big obstacle to push up against that’ll impact them and the wider world for days, years, or perhaps even decades to come! 

This genre also offers great flexibility of era. Have you always had a passion for the Roaring ‘20s or an interest in ancient Rome? What about a predilection for the early days of TV? Or even (gulp!) the early days of the internet? All include history well worth exploring. Whether a story is set two thousand years ago or twenty-five years ago, the past is at the core and the story is literally limited only by any era or eras that suit your fancy. A great deal of the fun in preparing to write, drafting, and editing within this genre is researching music, clothes, expressions and idioms, and more from the epoch you’ve chosen.

Photo courtesy of Pixabay at Pexels.com

Historical fiction is not a one-trick pony when it comes to styles and formats. Variety, thy name is this genre! Whether you want to pen a magnum opus novel or a flash fiction of a mere 45 words, there’s a style and a format to fit every writer and every project. Great historical fiction time-travel stories, for instance, can be told within a chapbook of stories connected by character or by place or by era, in a novella of a few thousand words (I had a fun time a few years ago writing a Regency novella, Her Humble Admirer, which in the tradition of many historical romance writers, I pen named), or equally well in linked historical-fiction poems (I wrote a collection of thematic poems set in 1918 a few years ago called This Passing Fever ). Historical fiction and time-travel stories also lend themselves well to creating a series. Want to write books about three cousins during the American Revolutionary War: one a Loyalist, one a Patriot, and one a pacifist? A series is born; go for it. Historical fiction allows for great versatility in how stories can be connected, divided, and crafted for maximum reader (and writer) interest.  

At its best, historical fiction sheds a light not only on another time but also on our modern lives. These stories can make us reflect on how far our lives have come and on how far we might go. They can remind us of our own struggles and hopes and setbacks, and they have the power to entertain us as well. That’s a lot of reading happiness in one literary package!  

Try this prompt: Pick a place, a time, and a protagonist. Your protagonist can be a real historical person or a completely fictional person. You don’t need to know everything—or even a lot—about your main character at this point: a name and an initial detail or two will do, even if you end up changing these details later. What does the protagonist, place, or era need the most that it doesn’t have yet? Who or what is blocking positive change? What most excites you to write about this era? Write for twenty minutes. Go!

My Article Published & A Regency Page-Turner

Once upon a time (circa 2015), I started writing a Jane Austen fan-fiction story that over a few months turned into a novella, it was so irresistible to keep writing. Happily, it was published as an e-book a few years later by Uncial Press.

In the time-honored tradition of Romance writers, I pen-named it. Recently, I had the great joy of writing an article for The Uncial Letter about why it’s so fun to read the Regency genre.

Read my article below, and then do pop by the Uncial Press website and/or Amazon to treat yourself to some of their many fabulous books in genres as diverse as Fantasy and Science-Fiction, Westerns, Paranormal, other Historical Fiction eras, poetry, and more.

To subscribe to The Uncial Letter is also a must and easy-breezy: just send an email to uncial-letter-subscribe@googlegroups.com, and you’re all set to receive the latest book updates and many other fine articles, too.

Without further ado, I’m so pleased to announce my featured article:

“Three Reasons Regency Romance Is
   a Perfect Fit for Turbulent 2022”

Enjoy plucky protagonists with minds of their own and strong convictions? Like historical times and places? Want something--anything--today to make a modicum of sense? Regency romance may just be the perfect balm for these tumultuous, wearying days of 2022. Read on!

Regency tends to be character-rich. Readers follow lords, ladies, commoners, clerics, dukes, and duchesses as they populate a British town or city and, best of all, take part in the growth experience of the protagonist. Let's talk about this protagonist for a moment. She tends to be youthful and, while a bit inexperienced, filled with hopes and ideas about how the world works. She's a young woman of conviction with goals that frequently don't pan out as easily or even in the same way as she'd hoped, especially when it comes to her experiences with love. Yet, by the tale's ending, she's realized life lessons about herself and become a more thoughtful, less selfish, more accepting person to her friends, to her family, and to her love interest.

The pleasures of escaping into another world. While I was researching my novel, Her Humble Admirer, it was a great deal of fun to enter back into a place and a time where flowers had secret meanings, from undying friendship to unrequited love to secret passions and more, based on the colors of the blooms. A world where calling cards were on everyone's desk, and ladies and gentleman who were single were only allowed to dance one dance in a row with each other, lest they raise gossipmonger's eyebrows by scandalously dancing away the evening together in public.

The mores and customs of Regency England are far different from 2022, and that's a great thing. Nobody in that era has heard of a thing called Covid nor felt worried and annoyed again because the cost of rent and groceries and gas have skyrocketed yet again this month because of inflation. Nope: readers can time travel and drop in by the fireplace for a cozy conversation (and a bit of village gossip or a reading of the latest Lord Byron poem that's the talk of the Ton) or enjoy an afternoon's carriage ride to visit a relative or the scintillating excitement of a costume ball in a fortnight. Spending time in a different era via characters and scenery is a staycation for the senses that won't cost a penny (and no jetlag!).

Bring on the happy ending! What do we most crave in times of stress and drama? Times when our lives have been upended and are still being put back together? That's right: familiarity. A pattern, order, the sweet pleasure of our expectations being met. What more satisfying pattern could there be than what Regency delivers time after time: the spark of first feelings, obstacles to those feelings, more misunderstandings and a clash, followed by an upturn, a tender admission or a quick reunion, and then together again, this time forever.

While everyday life certainly offers headaches and hassles that don't frequently tie themselves together with a neat little bow, it's a soothing experience to enjoy the protagonist's HEA, page by page. Now, more than ever, that vicarious joy is an especially delightful part of our entertainment, and one in which Regency particularly excels.

So, go ahead: grab a Regency novella or novel today and prepare to encounter another world, a heroine to root for, and a HEA that makes 2022 a bit more palatable and a lot more entertaining.

~*~

We couldn't have said it better. Immersing yourself in a Regency can allow you to escape from yesterday's scandalous headlines that have barely been assimilated when today's upheaval makes news that's followed far too quickly by tomorrow's disasters.

We have a great assortment of Regencies for your pleasure, in all lengths and moods. A great place to start is with Lucy M. Loxley's Her Humble Admirer, a sweetly traditional story with its share of quirky characters, including an innocent maid who is ready for love, a faithful swain who seems interested only in being a good friend, and a sophisticated gentleman from London who wants something from Miss Livia Hightower, but is hesitant about telling her exactly what. Caught up in the summery swirl of country society, Livia weaves romantic dreams about the future...but will they ever be more than hopeless fantasies? [ISBN 978-1-60174-232-2, $3.99]

My Article Published: "Delicious to Dish: 4 Ingredients That Make Food Writing Fabulous"

Excited that Women on Writing published my article today and to share it with you:

“Delicious to Dish: 4 Ingredients That Make Food Writing Fabulous”

Photo courtesy of Vincent Rivaud from Pexels

Photo courtesy of Vincent Rivaud from Pexels

By: Melanie Faith

 

What does cooking and writing have in common? A richness of inviting language.

 

Think about the sheer number of words to describe something “delicious,” for instance. From “decadent” to “delectable” to “delightful” to “exquisite” and “appetizing” and “tasty” and “flavorful” and even “mouthwatering,” each word underscores a very particular quality about the dish.

 

Speaking of which, even the word “dish” has numerous shades of meaning, tones, and definitions that can lead to descriptive and delightful writing. From the cooking containers to the food itself to an attractive person to giving a friend the scoop by sharing gossip to punishing, as in “you can dish it out but you can’t take it,” the variety of descriptors, contexts, and diction choices make the pairing of writing and nourishment a natural fit. Much like ice cream and the waffle cone that conveys it, they can be a great symbiotic duo.

 

·         Food writing has ample diction options. Our descriptions of the foods we stir, spoon, swirl, chew, or slurp tend to be precise and as varied as the salad of verbs we can choose from to denote how we compose or eat our meals and certainly how we feel or felt about them and/or the people who made them. One of the reasons writing about food is so fun is that there are endless words that bring our passion, distaste, or other emotions about making or eating food to vibrant life on the page.

·         Food writing has point of view. Some types of writing are easier than others to denote a clear and strong point of view. Food writing tends to have a very focused and clear POV. For instance, people tend to have complicated relationships with certain foods, such as durian fruit or sauerkraut, and it’s often easy to spot the point of view and tone of the author—whether like, love, confusion, or loathing—often in the first few sentences.

·         Food writing has theme. One of my favorite qualities about food writing is that however much the focus is on creating or imbibing or not relishing some eating experiences, it’s never ONLY about the foods at all. Much food writing is rich in setting, imagery, and contextual details that tell the readers something deeper about the speaker’s life or the characters’ lives. Food writing covers a dynamic array of topics, from cultural celebrations and birth stories to addiction, divorce, office romances, first jobs and first apartments, and you name it. Food is present at just about every turning point in our lives, so when writing about food we are presented with endless possibilities, not only for what dishes have meant in our lives in the past but also now and what it might mean in the future. Personal essays, recipes, chapbooks of stories or essays, and/or characters describing foods for children and grandchildren are all food writing. Just about any topic or theme you can imagine from your everyday life will have at least one ingredient, dish, meal, holiday recipe, or family barbecue/picnic/party or road trip associated with it that could make vivid and meaningful prose or poetry.

·         Food writing is not genre restricted. We often think immediately of recipe books or cooking shows when we think of food writing, both of which are kinds of food writing, but that is just the very, very, very tip of the food-writing iceberg. Poems are also food writing. One-act plays with a dinner scene, also food writing. Restaurant reviews, too—food writing. Flash fiction and flash memoir and hybrid pieces, all food writing. Guess what: so are jokes, comedic essays, scenes from novels or novellas, and just about any other genre you can think of. If it has something about eating or being unable to eat, someone making something to eat and failing or succeeding at it, people congregating to eat, people rejecting what’s on the table to eat in favor of something else, the struggles of eating and cooking, people learning to cook, and so on, then it’s food writing. Period. The vast variety of food writing makes for especially fun writing and reading experiences.    

 

Considering the rich themes, descriptive language, focused point of view, and genre possibilities, food writing is one of the most exciting writing experiences an author can have.  Like a meal to savor, food writing invites a writer’s imagination, memories, and talents to the table, month after month, year after year.

  ***

My Food Writing class begins on Friday, April 8th. I’d love to have you and a friend join me for this delectable and fun class. Click for more details and the sign-up link.

"15+ Creative Methods for Outlining Your Novel"

Thrilled that my article was published today at WOW! Here are some awesome ways to do creative prewriting for your novel that could be great fun to explore.

15+ Creative Methods for Outlining Your Novel

By: Melanie Faith

 

 

As a writer, my longer fiction and nonfiction projects have been aided by prewriting. Outlining has numerous benefits that range from organizing initial ideas (which tend to lead to further ideas, like rabbits from a hat) so that they are not a jumble floating (and too-soon forgotten) in the brain to saving time because the story has a natural narrative arc rather than disconnected passages or entire chapters that veer off plot or point.

 

Just as writing your novel is a creative process, your outlining can be a creative and whimsical process. Feel free to dabble with a few outlining methods and to mix-and-match your prewriting styles.  

 

What could outlining your novel look like? Great news! There are oodles of formats for outlining. Outlines don’t have to be in the strict Roman-numeral format (unless you want them to be). An outline might be crafted in any of the following styles:

·        a hand-drawn map of your story’s setting(s).

·        a Pinterest or Facebook page or vision board you create of photographs and posts related to your protagonist or any other element of your narrative.

·        a collage (physical or digital) of images or dialogue.

·        a series of sketches or drawings for the first chapter. The sketches might be free-form, in storyboard form, or comics form, either hand-drawn or drawn using digital sketchpads/software.

·        an audio or video clip—or several—that mirror the rising action(s) or tone of various scenes.

·        a web of catch-phrases, dialogue, or verbal imagery related to your antagonist.

·        a chart with webpage links related to your conflicts and rising actions.

·        a color-coded chart of characters’ backstories.

·        a list in a bullet journal.

·        a free-write passage of dialogue between the protagonist and antagonist.

·        photos that represent the protagonist’s inner thoughts or conflicts.

 

Outlining is flexible and can include as much or as few details as you’d like, and you can add to the outline as new or different ideas occur.  It’s all a step in the right direction: seeing the big picture of your project.

 

More great news: you don’t have to plan every single element of a book before writing a single paragraph of the draft, although you could if you want to. Some of the best projects I’ve written (or read) began with enough planning for just a chapter or two at a time, if that. Sometimes, just a few short, scrawled sentence fragments about a character.

 

You can also outline after you’ve started some of your project, whether you’ve run into a snag or just want to plan for the next steps in your project.

 

A few more outlining ideas:

·        You could color code or date material on an outline to keep track of when and how your outline evolves.

·        You could outline on computer but also by hand (break out the highlighters, colored pens or pencils and markers, your favorite notebook, pieces of printer paper and stickers—whatever motivates you most).

·        Sometimes, my students have purchased dry-erase boards and erasable markers and put them around their office for ease of planning and adjusting initial ideas.

·        Other students have used giant sheets of brown-bag paper or butcher paper and permanent markers to chart their next narrative course.    

 

Outlines should be specific enough to encourage a pull towards your manuscript but open-ended and with enough wiggle room that it can be expanded, adjusted, or edited at any part of the prewriting or first-drafting process. It’s perfectly fine to have all or part of an initial outline and then veer away from the outline in your writing. Or to adjust your outline as you go.

 

Just because it’s written on the outline, don’t force yourself to adhere to your plans if it’s slow-going or if a better idea shows up. The latter happens to me all of the time, especially mid-novel; I just re-plan my next plans when it happens and see where the new ideas take me. In all of my first outlines for my current WIP, my protagonist was on his way cross-country to attend a writer’s colony—until I got a few chapters in as I drafted and it hit me that a storm would prevent his arrival. Take two: a little regrouping, a free-write, and a new list of phrases in my writer’s notebook, and away I went in the direction of the new plot. 

 

Nothing is set in stone, during or even after planning—and that should be encouraging.

 

Aim for making enough ground work to invigorate and flesh out your initial characterizations, settings, and plot, while remaining open to restructuring as you begin the writing process and as characters reveal more of their struggles and obstacles in the paths to reaching their goals.

 

View your prewriting as an exciting, ever-evolving map to where your novel likely might be headed, and enjoy the creativity of the prewriting and drafting processes as the pages of your story accumulate and ideas keep arriving.

 

Learn more via my online class, Outlining Your Novel with Ease, now taking sign-ups. Check out my fall/early winter online writing classes here.

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