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Who doesn’t love food?! 🥕🥔🥑
But what, exactly, is food writing?
It includes a diverse multitude of writing projects and styles to savor, including (but not limited to):
*fiction
*memoir
*review
*personal essay
*free-verse
*flash
*blog
*graphic novel
*recipe and/or cookbook
*haiku
No previous cooking or restaurant experience necessary for the class. If you relish words and the flavors of fabulous food (and haven’t we all?😋), this class welcomes you.
So honored to be a part of the conversation today at talented Kate Bradley-Ferrall’s marvelous blog. along with inspired author and writing instructor Sue Bradford Edwards. Check out how “writing in unfamiliar genres can reboot your writing and challenge you in interesting and inspiring ways.” 🎉📝
Ever since I read this quote earlier this week, I’ve been thinking that it would make a perfect prompt for creating a character or journaling. 📝🍵
🎉Just one more month until my book birthday @vine_leaves_press for Writing It Real: Creating an Online Course for Fun and Profit! Can't wait! Preorder today at Amazon.
It's even more awesome in person! 📕🎉@vine_leaves_press That holding the first printed copies feeling: priceless. Props to my amazing cover designer @jessicabelldesign . Couldn't resist sharing this moment with all of you. Writing It Real: Crafting a Reference Book that Sells has a book birthday in April, and it's available for preorder now at Amazon.
Excellent news! My article was published this morning in the WOW newsletter. Happy to share this fun topic with you, and if you’re interested, my next online class begins Friday, January 14th (details here: Fundamentals of Graphic Novel Creation).
Photo courtesy of Kelly Sikkema @kellysikkema at Unsplash.com
“Why Try Writing Graphic Novels?”
By: Melanie Faith
The initial answer is simple and direct: graphic novels are an exciting mode of storytelling and can encompass several genres. There are comics that are based on vignettes or flash fictions. There are comics that are fully autobiographical and others that are semiautobiographical and based on some real-life events. There are comics that are memoirs. There are comics whose protagonist is entirely fictional as well as comics based on historical figures and events from the past. There are animal comics. There are comics whose protagonist is otherworldly (science fiction and fantasy), from another realm or distant galaxy, from another time period or dimension. There are comics that have everyday protagonists who get stuck in traffic and hate certain foods, like you and me, and comics where the protagonists transcend the daily drudgery as secret superheroes who whip out their cosmic powers just in time.
Even more than that initial answer, however, graphic novels share key traits of meaningful literature that you’re already probably writing to hook readers into these visual stories, such as:
--Graphic novels have strong characters with a perspective and a problem that’s not easily (or forever) solved: whether from a down-on-her-luck office worker who just can’t catch a break or a fairy queen with magical abilities who leads her fellow fae to victory, if you can dream up a protagonist who has something to say and a perpetual conflict to try solving, then you can craft a strong plot for a graphic novel. The office worker decides she’s going up for the big promotion, only to get bested by the office bully, but only for a few panels before she cooks up another plan to aim for that promotion or something equally important to her growth. Even when the fairy queen swoops in to save her folk today, another destructive force must appear—in the next chapter, page, or even the next few panels—to challenge her abilities and give her a reason to test her powers and lead her fellows past obstacles to victory all over again. Struggle, momentary victory, struggle again is a good motto for graphic-novel planning.
--Graphic novels often have characters who are delightful oddballs or passionate outcasts who question their place in the world through their actions, dialogue, and their inner doubts and fears as they move through these challenges, however slowly, haltingly, or while bumbling sometimes. Insecurities, fears, limitations, frustrations, self-consciousness, anxieties—call them what you will, but graphic novel protagonists are often recognizable and loveable for the very sensitivities that keep readers reading (and putting themselves into the protagonists’ shoes). Just like in short stories and movies, nobody roots for a character who is picture perfect in every way and has it all figured out every step of the way. Graphic novel protagonists are often thrown into new environments where they feel overwhelmed for much of the narrative or cannot escape their home environments where they have never felt the same as others. In both situations, the protagonists demonstrate their character, mettle, sass, and wit through how they cope (or barely cope or mostly fail to cope) with not having complete (or even partial) control over their lives. Humor and pathos both result from tales of protagonists doing the best they can as fish out of water.
--Graphic novel characters and narratives touch on universal truths. Whether your novel is set on a distant star or in Chicago of 2130 or in your own home office this very year or in Boston in 1850, one of the hallmarks of graphic novels is that they illuminate what it means to live in an imperfect world with others who frequently have different goals that conflict with one’s own. Readers want to identify with and cheer on the situations protagonists navigate through and, as a bonus benefit, feel a sense of investment in the protagonists’ struggles and triumphs and encouragement about their own lives.
Yeah, but comics are written by people who are whizzes at drawing, right? Nope. Graphic novelists don’t have to have the most up-to-date software or even be skilled at drawing or anywhere near professional-artist level. If you can sketch a table or shapes and/or draw a stick figure, you can get your point across based on the story your graphic novel tells and the strength of your protagonist, antagonist, conflict, rising actions, and story arc. Plenty of writers team up with professional or student artists to make their comics, which is another option. Comics can also be created from photography and collage as well as simple line drawings and from various forms of drawing software and apps.
So, if you have elementary artistic skills or can take a photo or sketch basic shapes and draw a stick figure, possess an interest in making good literature with a strong, identifiable protagonist who gets in hot water and feels hesitant about their vulnerabilities and yet finds their own way, bit by bit, it’s likely you can turn a strong character and story premise into an entertaining, meaningful graphic novel. It’s well worth dipping your toes into the graphic-novel waters to give it a try.
Image courtesy of Kelly Sikkema @kellysikkema at Unsplash.com
Super excited to announce that the pre-order for my next book is all set!
Whether you’ve never taught an online class before or if you’ve been an educator for years, if you’ve ever thought about launching your own online course or brushing up on your teaching skills to bring extra pizzazz to your classroom this book is for you.
I’ve packed it with tips, advice, exercises, humor, and lots of can-do motivation to inspire the class-creation and class-launching experiences from choosing a theme through syllabus creation through marketing and more! Also, it’ll make the perfect gift for the favorite educator friend in your life this holiday season.
To pre-order and learn more: Amazon Paperback and Amazon E-book .
Just popping by for a quick update about my first week of National Novel Writing Month. Here’s the scoop and the skinny on my progress. On this sunny November day, I feel like a bulleted list, so I think I shall. [Razzle-dazzle formatting, 🧚♀️done! ] Proceed:
I’m working on draft 2 of a novel about two sculptors that I finished a first draft of in September and purposely didn’t look at again since. I like to let first drafts marinate a few weeks while I work on other projects, so that when it’s time to edit I see what’s really there and not what I think is there. #writerproblems #tookabreaknomistake
Instead of writing new content this time, I edit a little each day. No certain word count each day. Unlike a traditional NaNoWriMo and yet in the spirit of NaNoWriMo’s creative marathon, I’m going rogue and savoring the process as it evolves each day. #keepingitcopacetic
I’m not writing at a particular time of morning, afternoon, or night. Each day has been different, but each day I’ve been both pleased with some dialogue and character insights as well as (on some other pages) frustrated by clunky first-draft stuff I’d forgotten about in my draft. #plotholesIgotem #charactersmademelaughandcrythough
One day last week, I edited three chapters around 11 pm-1 am. That was my longest writing day. Later that week, I had a four-sentence editing day one afternoon for about twenty minutes, aka: my shortest day. Most days, I averaged 2 or 3 pages in 45 minutes or so of the early evening. It’s ALL good and motivates me through the second draft, bit by bit.
Yesterday, I edited around 8 pages in a chapter where my protagonist finally has her own studio. #virginiawoolfvibes #aroomofherown For the first time in a week, I found myself adding two or three pages to a scene, rather than focusing on trimming. Both are needed and will happen in drafts 3, 4, etc., but it was refreshing to tie a bow on the first week by being so back into the characters’ POVs that new ideas were percolating again. #writergoals 🌻
Supporting my fellow intrepid and awesome NaNoWriMo 2021 authors! How’s it going? What projects are you working on? I want the tea. Merci beaucoup, and write on! ☕📝
Photo Courtesy of Daniele Levis Pelusi on Unsplash.com .