Craft Article: "Introducing Your Next Characters: How to Outline Your Protagonist and Nemesis"

Great news! My craft article was published by Women on Writing today! Read on for some tips sure to develop your latest fictional protagonist and antagonist.

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“Introducing Your Next Characters: How to Outline Your Protagonist and Nemesis”

By: Melanie Faith

 

Protagonists and antagonists: every story has them, or should have them. Our readers want someone to root for, someone they can identify with as they conquer problems both common and extraordinary. They also want an instigator, a character whose sole goal is to create the tension and conflict we experience in real life.

Think of these characters as paired all-stars in your novel—wherever there’s the protagonist striving to make their hopes and dreams happen with their actions, the antagonist should soon appear to work their devious deeds of mayhem to block those hopes and dreams.

Many writers delve straight into their initial scenes with their protagonist without knowing more about their protagonist than a name and perhaps an age. Certainly, many writers begin stories without knowing anything about the antagonists who will make it their purpose to mar the protagonist at every turn.

While one could free-write scenes for endless weeks or months, the more sensible approach is to do some quick but fruitful pre-writing to “meet” your protagonist and antagonist before setting your scenes to the page.

 

Outlining character details before writing chapters will:

*  save you time figuring out what your protagonist wants,

*  save you time and scenes figuring out why your protagonist is doing what (s)he is doing,

*  create immediate conflict that sets your novel’s plot into motion,

*  help you to pinpoint exactly why this protagonist desires what (s)he desires,

*  introduce you to the antagonist’s desires and why (s)he doesn’t want the protagonist to succeed,

*  and demonstrate the lengths the antagonist is willing to go to block your protagonist.

 

To get started, consider the following outlining exercise. Set a clock for fifteen or twenty minutes and answer these questions. Allow ideas and information to bubble up from your subconscious without editing or omitting details. Write as much or as little for each question as you wish. J  

There are many, many more approaches for developing notes about your protagonist, numerous of which I’ll explore during my course Outline Your Novel with Ease, but these initial questions will get you well on your way to a juicy conflict and two well-rounded main characters.

Feel free to keep writing beyond the ding of the timer. Pick a few of these questions, or answer them all.  Feel free to add details over the following hours and days as they appear to you. Keep in mind that protagonists are not all good and sweet, nor are antagonists all selfish or rude; we’re all a blend of qualities, emotions, circumstances, and missteps.

Then, after a few days, sit down to draft your initial scene. In the scene, use several details directly from this exercise.

By the way, you’ll learn more about your protagonist from this pre-writing exercise than you will include in the scene, which is perfectly normal and a great idea. Think of those “characters” you know in real life—you know a lot more about them (and they about you!) than either of you share directly when communicating.

 

Meet your protagonist:

*  What is their childhood nickname? Do they still go by this name? Would they hide it?

*  What is their birth order? Do they have siblings? Would they have liked [more] siblings or no siblings? Does anything in their background influence their thoughts about having or raising children?

*  Do they live where they thought they would as a teen? Why or why not? Are they willing to move to another location? Why or why not?

*  What is your protagonist’s dream job? Do they currently have that job? Do they have excuses for why they don’t have that job? If so, what are they?

*  Describe a time when your protagonist was overlooked or underappreciated. What would it take to make your protagonist feel like a winner?

 

Meet your antagonist:

*  Does your antagonist have a nickname? Do they still use it? Would they hide it?

*  Has your antagonist known your protagonist since childhood? Since college? If not, when and how did your antagonist and protagonist meet?

*  What was your antagonist’s initial (unspoken) impression of your protagonist? Describe their first conversation.

*  What is your antagonist’s biggest regret?

*  Describe a time when your antagonist felt like a winner. Then write about a time when your antagonist felt like a complete zero.

Want to learn more? Check out my 2020 classes, beginning on January 17th with Outlining Your Novel with Ease! Click here: 2020 classes info.

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Welcome to the World, Photography for Writers!

At long last, it’s release day for my new book, Photography for Writers!

Buy your copy today at Vine Leaves Press. Signed copies also available, via my WritePathProduction Etsy Shop or via pm.

Photo by Adi Goldstein on Unsplash .

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One Week until my Book Birthday for Photography for Writers!

Super excited for the release of my latest book next week: Photography for Writers! Check out this awesome video trailer for my book. Get your copy today at: Vine Leaves Press .

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Poem Publication : "Lines Composed after Purchasing a 2020 Planner"

Thrilled to announce that my poem, “Lines Composed after Purchasing a 2020 Planner” was published in the current issue of Verse of Silence.

For my fellow poets and writers, the editors accept submissions at Verse of Silence Submissions.

Like this image I made? Prints available at Write Path Productions.

Like this image I made? Prints available at Write Path Productions.

Like Writing down the Bones and The Artist's Way?

Just in time for NaNoWriMo! If you liked Bird by Bird and other craft books, check out In a Flash and these nifty videos my awesome publisher created.

Writing down the Bones style

Writing coach and publishing advisor style

Invest in your writing today. All three titles in my Flash Writing series are now available, including the pre-order for Photography for Writers.

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Write Flash Fiction and Flash Nonfiction that Sells! :)

Learn how to write and edit flash that catches editors’ eyes! Super cool video at: Check out In A Flash.

Signed copies available at: Write Path Productions.

E-copies and print copies available at: Amazon, In a Flash .

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Pre-Order Photography for Writers Today!

Thrilled to share the news that my next book, Photography for Writers, is now available for pre-order! Check out this AWESOME video that Vine Leaves created, featuring my book and some of my photography.

Pre-Order Video

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"Four Tips for Writing Fantastic Flash"

My article about flash-writing was published today. Ta-da! Give the writing exercise a spin.

“Four Tips for Writing Fantastic Flash”

by: Melanie Faith

Good things come in small packages. Chocolate truffles. Earrings. Me—okay, that last one is wishful thinking since I round my height up to 5’2”, but you get the picture.

            Flash is the mighty genre that could and no exception to the small-packages rule of thumb. In both fiction and nonfiction, flash stories tell a narrative, develop a character and setting, craft conflict and tension to a surprising ending, and more—all in just 1,000 words or less. Pretty impressive!

            Use these four tips and the accompanying exercise to craft some stellar flash.

 

·         Set two characters against each other.  Ever lived in a dorm? Then you know that very rarely do even two people (much less a whole group) view similar experiences the same way. Such conflict is a key component of good flash. Whether your characters compete for the same person, place, or thing or just have opposing personal, political, or ideological views, one sure way to maintain conflict within a flash is to pair two characters in a clash of goals. When I judge flash contests, one of the key disappointments is when a good flash character or concept doesn’t have enough tension to sustain the flash, so the prose falls flat.

·         Ready, set, action!  Your protagonist or speaker must DO something. Flashes aren’t as dynamic if the character is inert or has things done to her or him. Detail your protagonist’s physical actions and responses. Many promising flash drafts I’ve read go off the rails when they include a character reflecting on something that has occurred—which is fine for a sentence or two, maybe, but for a flash to really zing off of the page, the character must push back in deed. In real life, I need a fair amount of reflection time, but in my flash writing, I avoid it. Wind those characters up and let them move on the page! Which brings us to our next tip:

·         When in doubt, include (a little) body language. Sometimes, jokingly, I’ve referred to dialogue without any speaker tags or visual imagery for several paragraphs as “floating heads,” because the characters seem to exist in outer space, without a clear physical presence. Readers don’t need to know every single cough, sneeze, or hand on the hip, but if your readers can’t imagine how characters are reacting to each other—whether through vocal tone, rolled eyes, tapping toes or shifting uncomfortably- then they probably won’t have as deep an investment in characters’ struggles. Much of what real people communicate in everyday life is demonstrated through body language; sprinkle a few well-placed images between the dialogue to show the conflict between what the character says and how the character or others physically react.

·         Contradictions make better flash characters. In other words: we’re all a mess, so why not mine it? Another problem in some flash I see are characters who are one-sided, with a single personality trait that is not-so-awesome for flash: they are too agreeable. Something bad happens, and they accept it as the way things are or they make a decision to ignore it entirely. Strong writing brings us characters who have a main trait—kindness, enthusiasm, anger—and an opposing trait that rears its head now and again—selfishness, mercurial moods, humor at the wrong moment. As F. Scott Fitzgerald once said: “The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.” Guess what—we all have these two opposing sides and must function, which creates the kind of exhaustion and frustration that doesn’t always make life easy but which makes for fantastic conflict, tension, and character development in flash.

 

Try this exercise:  Your speaker or protagonist has always reacted to injustice by ________________, but today, a different side of their personality is going to shine. Instead, they will _________________. Include inner thoughts of the character or speaker right before they decided what to do, during, and after. Include at least a line of dialogue in your flash where a person with a different opinion or view tries to stop your speaker or protagonist. What happens next? Go!

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Looking for a fun online writing class? Still a few spots in my Flash writing class that starts on Oct. 25th. :) In a Flash Details.

I’ll also be teaching a novel class in January. Outlining Your Novel with Ease Details.

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Photography for Writers-- Holding the First Print Copy :)

Super excited for my next book, Photography for Writers, which will be published this November. Stay tuned!

That holding the first author copy feeling! 💕🔥📝📷😭😍💡

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